Religious analysis of art of Nepal and Tibet in the current global scenario

Authors

  • Saurabh Saxena Painting department, Va. J. Sh. Gaya Prasad P.G. College, Sumerpur, Unnao, U.P. India Author

DOI:

https://doi.org/10.52984/ijomrc1204

Keywords:

Pala style, Prajnaparamita, Avalokiteshwar

Abstract

The present research paper presents an archaeological analysis of the ancient art of Nepal and Tibet. It provides a religious analysis of the sculptures, paintings, and manuscripts of the ancient Pala style prevalent in Nepal and Tibet from a religious perspective. It also presents a comparative study of the art and culture of Nepal and Tibet.

References

1. N. Saxena- Lotus in Indian Painting ,Page-109.

2. P.D. Ghose- Eastern School of Mediaval Painting (Chhavi), Page-92

3. Raja Tanda das Gupta – Nepalese Painting, Page-18

4. Mario Bussali-Indian Miniaturis, Page-30

5. George Roerich-Tibetan, Page-7

6. S.N. Saxena- Lotus in Indian Painting, Page-59

7. The Times of India-Annual-1996, Page-20

8. Zimmer – Myths and symbols, Page-118

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Published

2021-04-28

Issue

Vol. 1 No. 2 (2021)

Section

Articles

License

Copyright (c) 2021 International Journal of Multidisciplinary Research Configuration

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). Authors retain copyright of their work and grant the journal the right of first publication.

How to Cite

Religious analysis of art of Nepal and Tibet in the current global scenario. (2021). International Journal of Multidisciplinary Research Configuration, 1(2), 14-18. https://doi.org/10.52984/ijomrc1204