Religious analysis of art of Nepal and Tibet in the current global scenario

लेखक

  • Saurabh Saxena Painting department, Va. J. Sh. Gaya Prasad P.G. College, Sumerpur, Unnao, U.P. India ##default.groups.name.author##

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https://doi.org/10.52984/ijomrc1204

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Pala style##common.commaListSeparator## Prajnaparamita##common.commaListSeparator## Avalokiteshwar

सार

The present research paper presents an archaeological analysis of the ancient art of Nepal and Tibet. It provides a religious analysis of the sculptures, paintings, and manuscripts of the ancient Pala style prevalent in Nepal and Tibet from a religious perspective. It also presents a comparative study of the art and culture of Nepal and Tibet.

##submission.citations##

1. N. Saxena- Lotus in Indian Painting ,Page-109.

2. P.D. Ghose- Eastern School of Mediaval Painting (Chhavi), Page-92

3. Raja Tanda das Gupta – Nepalese Painting, Page-18

4. Mario Bussali-Indian Miniaturis, Page-30

5. George Roerich-Tibetan, Page-7

6. S.N. Saxena- Lotus in Indian Painting, Page-59

7. The Times of India-Annual-1996, Page-20

8. Zimmer – Myths and symbols, Page-118

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प्रकाशित

2021-04-28

अंक

खंड 1 No. 2 (2021)

खंड

Articles

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This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0). Authors retain copyright of their work and grant the journal the right of first publication.

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Religious analysis of art of Nepal and Tibet in the current global scenario. (2021). International Journal of Multidisciplinary Research Configuration, 1(2), 14-18. https://doi.org/10.52984/ijomrc1204